From 1950's unestable negatives by Paolo Gasparini + books and magazine

1
Installation view with open Magazine (detail)
Álvaro Sotillo; b. Caracas 1946
Design of Punto 68 magazine. June 2000
Magazine Published by School of Architecture and Urban
Studies, Universidad Central de Venezuela

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


2
Architects Carlos Raúl Villanueva and Carlos Celis Cepero
Reurbanization of the “City of Little Planks”. 1950-53
Photograph from a black-and-white, unstable negative

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


3
Architects Carlos Raúl Villanueva and Carlos Celis Cepero
Reurbanization of the “City of Little Planks”. 1950-53
Color photograph from a black-and-white, unstable negative

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


4
Architects Carlos Raúl Villanueva,
Leopoldo Martínez Olavarria
Urbanization Lomas de Urdaneta (last stage). 1956-57
Color photograph from a black-and-white, unstable negative

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


5
Architects Carlos Raúl Villanueva,
Leopoldo Martínez Olavarria
Urbanization Lomas de Urdaneta (last stage). 1956-57
Color photograph from a black-and-white, unstable negative

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


6
Architects Carlos Raúl Villanueva and Carlos Celis Cepero;
Polychrome façade by Alejandro Otero
El Paraíso Residential Unit,1952-54
Digital photograph, from recent copie, from unstable negatives
From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


7 (Samán)
Architects Carlos Raúl Villanueva and Carlos Celis Cepero;
Polychrome façade by Alejandro Otero

El Paraíso Residential Unit,1952-54
Photograph from unstable negatives
From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


8
El Paraiso Residential Unit, circa 1955
Architects Carlos Raúl Villanueva and Carlos Celis Cepero;
Polychrome façade and paper collages fragments by Alejandro Otero.
Chromogenic color photocollage from a B/W unstable negative by Paolo Gasparini and book; Alejandro Otero, edited by José Balza. Milan: Olivetti in collaboration with Galería de Arte Nacional, 1977
From the series Sub-Entanglement Woven-Sustainable-Emigrant. 2006-2008


9
Installation view with Book: Alejandro Otero,
Compiled by José Balza. Milan: Olivetti in collaboration with
Galería de Arte Nacional, 1977

From the series Sub-Entanglement Woven-Sustainable-Emigrant. 2006-2008


10 (Mango)

Architects Carlos Raúl Villanueva and Carlos Celis Cepero;
Polychrome façade by Alejandro Otero

El Paraíso Residential Unit,1952-54
Photograph from unstable negatives
From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008



11
Carlos Raúl Villanueva in collaboration with TABO
(Taller de Arquitectura del Banco Obrero)

Cerro verde Residential Unit
, circa 1956
Color photograph from a black-and-white, unstable negative,

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


12
Carlos Raúl Villanueva in collaboration with TABO
(Taller de Arquitectura del Banco Obrero)

Cerro verde Residential Unit
, circa 1956
Photograph from a black-and-white, unstable negative,

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


13

Untitled,
1959
(Barbería Italia)
San Agustin landscape with “ranchos”
Photograph from black-and-white,
unstable negative.

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


14
Untitled, 1959 (Fortuna)
San Agustin landscape with “ranchos”
Photograph from black-and-white,
unstable negative.

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


15
Untitled, 1959 (Good Year)
San Agustin landscape with “ranchos”
Photographs from black-and-white,
unstable negative.

From the series Sub-Entanglement Sustainable-Emigrant. 2006-2008


16
Untitled,1960.
Professor Miguel Arroyo teaching Harry Abend
at the School of Architecture and Urban
Studies, Universidad Central de Venezuela
Digital photo collage, from vintage copy
From the series Modern Entanglements. 2005
Observe cracks due to settlement of building’s foundation.